And then we begin at the end, with the weary members of the Band shuffling onstage to hoarse cheers. Forty years ago today, the Band gave their final concert in their original lineup, a massive swan song that these Canadian troubadours turned into an all-star spectacle. As far as farewells go, this one was major, and it might have been relegated to the you-had-to-like-have- been -there-man history books had a bearded, jittery Martin Scorsese not decided to ditch some responsibilities and call in some favors.
The idea was to simply record the evening for posterity, though the thenyear-old filmmaker had a few ideas of his own to add in to the mix. What he ended up with was the definitive document of these American-music scholars, an epitaph to a specific era of rock history, and the single greatest concert movie of all time.
That photo positions these five musicians as old-timey outlaws going against the hippie grain — the rock group as Dalton Gang. After 16 years on the road, the Band are no longer musicians who seem beamed in from another time. A lot. The last thing he wanted to do, or was allowed to do by his producers, was take on another project before he delivered a final cut. A series of secret meetings leading up to the Thanksgiving show laid out the game plan.
Though Graham claimed over the years that he came up with the concept. A script which detailed the set list and lyrics to each song was put together, so the director and head cinematographer Michael Chapman could chart where the cameras needed to be for each number. And rather than turning their lens on the audience grooving, the focus would solely be on the musicians onstage. The form of it was important to me — the camera movement to music, the editing, capturing the live performances. Or even the genius notion of starting the film with the encore, before flipping back to the show proper, in all its 35mm glory?
And when United Artists gave Robertson and Scorsese more money for some do-overs, they brought everybody back several months later and filmed three extra performances on a soundstage. Long before music videos, Scorsese understood how to film rhythm. Click submit to have your new password e-mailed to you. If you don't remember your email address, but know other details about your account we can try to find it out for you. Please contact customerservice phonicarecords. Personal data relates to a living individual who can be identified from that data.
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The Last Waltz () - IMDb
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